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Gedächtnisbilder e.V.

Gesellschaft zur Erinnerungskultur in der Kunst von Frauen

 Dorit Feldman 

Künstlerin, Fotografin

 

*1956 in Tel Aviv, Israel 

1975-1979  - BFA, The Midrasha - the Art Teachers’ Training College, Ramat Hasharon, Israel

1980-1982  - Kabbalah (Jewish Mysticism) Studies, The Institute of Kabbalah Research, Tel Aviv University

1985-1988  - Independent study program in the Humanities, Tel Aviv University, (including courses in Art History, Photography, Anthropology, Philosophy, and Italian Language

1987  - MFA Program, School of Visual Arts, New York – international studies, Urbino, Italy (instructors: Enzo Cucchi, Jannis Kounellis, Eliseo Mattiacci)

Literatur:

Dorit Feldman, "Name of the Place", Science Poetry, Literature, Art & Science annual, Weizmann Institute of Science, 2016, S. 68-71. [Hebräisch]

Adina Mor Haim, "Blessed At Last", Newspaper 77, Art & Literature magazine , vol. 381, February - March 2015. [Hebräisch]

Sevilla Sadeh, N., "Divine Love: The Reception of Leda and the Swan Myth in Works by Jewish and Arab Israeli Artists - Contexts and Meanings", Journal of Arts and Humanities, Vol. 3, n. 8, September 2014. [Englisch]

Dorit Feldman, "Delving in to the depth of the photographic paper (Palimpsest) ",Panim 61, Quarterly  for Society, Culture and Education, April 2013, S. 22-30. [Englisch]

Yoav Dagon, " Yoav Dagon-Curator, Articles & Essays", 2011,"Forgetting the Words", S.136-137. [Hebräisch]

Joanna Nittenberg, "Maris", Illustriete Neue Welt (Austria)June-July 2011. [Deutsch]

Gideon Ofrat, "The Return to the Shteitel "Bialik Institute , Jerusalem 2011, S. .27, Foto 60. [Hebräisch]

Joanna Nittenberg,  Aus der Serie: 'Mapping of Transmutation (Sunrise)' Illustriete Neue Welt (Austria) April 2010. [Deutsch]

De'ot 43 July 2009 'The Yaacov Herzog  Center ,p. 14,p.30 images from body-art series. [Hebräisch]

Joanna Nittenberg,  'Brunnen der Tiefe,' Illustrierte Neue Welt (Austria), January 2009. [Deutsch]


Rivka Rass, "Dorit Feldman: Contextual Artist," Terminal – A review of 21st century art 32, Sept. 2007, p. 28. [Englisch]

Joanna Nittenberg, 'Divine In.Tent,' Illustrierte Neue Welt (Austria), Aug.-Sept. 2007 [Deutsch].


Angela Levine, "The Sacrifice of Isaac in Israeli Art," Anglo-Israel Magazine 3, Autumn 2006. [Englisch]


Michal Snunit, "Sculptured Words," Terminal – A review of 21st century art 28, summer 2006, pp. 18-19. [Englisch]


Angela Levine, "Seeing the Light," Jewish Renaissance 4, July 2005. [Englisch]


Joanna Nittenberg, reproduction from cat. The Wandering Library 2004, ,Illustrierte Neue Welt (Austria), Feb.-March 2005. [Deutsch]


Dorit Feldman, “Thought Conceiving (Virtual) Reality,” Digital Art Magazine 99, July 2003. [Hebräisch]

Journal of Culture, Society and Education 22, Milk and Honey? (reproduction), “Women. Consciousness. Power,”, 2002. [Englisch]


Joanna Nittenberg, “Das fünfte Element,” Illustrierte Neue Welt (Austria), Oct.-Nov. 2002. [Deutsch]

 

Journal of Culture, Society and Education 12,  “The Future is Already Here” (reproduction), 2000. [Englisch]

Journal of Culture, Society and Education 2. “The Soul of Democracy” (9 images created for the subject), 1997. [Englisch]


Paul Kaniel, “Dorit Feldman and the Cosmic Gordian Knot,” Open Museum: Israeli Belgian Arts and Crafts Association 1 (Belgium), 1996. [Englisch]


Haim Maor, “The Grey Cells: Reconsideration of the 1970s – a conversation," Studio Art Magazine 40, January 1993. [Hebräisch]

Studio Art Magazine 20-21, Reproduction, April-May 1991. [Englisch]


Gideon Ofrat, The Artistic Medium (Tel Aviv: Stavit, 1986) [Hebrew] (color image on cover and textual reference). [Englisch]

Essays in Ausstellungskatalogen:

Martin Rosenberg, J. Susan Isaacs, "The past in the present", cat. Visions of Place,(Rutgers University-Camden NJ, Towson University, Maryland USA, 2015-2016) p.18, p. 65, p. 101 [Englisch]

Heidi Stecker,"The Library of Babel", line.light.signs. cat. Karlskaserne,Ludwigsburg, Germany, May 2014. P.2,p.5,pp.8-11.[Englisch, Deutsch]. 

Moshe Zuckermann, "Mapping the Sublime", cat. Landwords ,( The Artists' Residence, Herzliya 2012),p.50-53, 59-63, 67-71 [Hebräisch, Englisch, Deutsch]. 

Cat. 'Piyyut , Emotion and Thought', Yoel Gillinsky, Curator,  (Beit Avi Chai, Jerusalem,2011) p.74-77, [Hebräisch, Englisch]

Esti Drori and Doron Polak cat. 'Mosaic Code', (Netanya Gallery, 2011) p.9, 50-51, 80 [Hebräisch, Englisch]

 

Permutazioni "(PaRDeS –Laboratorio di Ricerca ,Mirano –VE, Italy 2010) [Italienisch, Englisch]


Rivka Bakalash, cat. From Corpus to Light – Dorit Feldman: Three Decades (Tel Aviv: Artists' House, 2009). [Englisch]

David Sperber, Vice Versa (Leiber Center for Jewish Art Exhibitions, Faculty of Jewish Studies, Bar Ilan University, 2008). [Englisch]


Paul Kaniel, "Levels of Ambiguity," cat. Lucid Contexture (Santa Monica: James Gray Gallery, 2007), p.11. [Englisch]

Godfrey Barker, "Ever-Changing Awareness," cat. Lucid Contexture (Santa Monica: James Gray Gallery, 2007), p. 13. [Englisch]

Yael Nevo, "The God of Mystical Thoughts," cat. Mystics Here and Now (Beer Sheva: The Arts Department, Ben Gurion University of the Negev, 2005) [Hebräisch].

Shimon Knoll, "From Conception to Contemplation," cat. From Conception to Contemplation (London: Catto Gallery, 2004), pp. 7-15. [Englisch]

Godfrey Barker, "Ever-Changing Awareness," cat. From Conception to Contemplation (London: Catto Gallery, 2004), p. 5. [Englisch]

Gideon Ofrat, cat. Thou Shalt Make…: The Resurgence of Judaism in Israeli Art (Tel Aviv: Time for Art – Israeli Art Center, 2003). [Englisch]

Yoav Dagon, “Forgetting the Words,“ cat. Transparent Channels (Luxembourg: LBLux Gallery, 2001), p.6. [Englisch]

Doron Polak, “An Interplay of Interactions,“ cat. Transparent Channels (Luxembourg: LBLux Gallery, 2001), p. 7. [Englisch]

Doron Polak, “The Common Element in Dorit Feldman’s Memory of the Future,” cat. Future Memory: Dorit Feldman & Igor Sacharow-Ross (Jerusalem: Art Center, 1999). [Englisch]

Shoshana Zimmerman, “Delving Deeper into the Golden Heart,” cat. Golden Heart (Tel Aviv: Julie M. Gallery, 1999). [Englisch]

Ilana Teicher, "Dorit Feldman," cat. Women Artists in Israeli Art, 1948-1998 (Haifa: New Haifa Museum, 1998), pp. 31-32. [Englisch]

Yifat Ben-Natan, cat. Dorit Feldman: Transmutation (Kiryat Tivon: New Art Gallery, 1997). [Englisch]

Henie Westbrook, “Erinnerungsfelder” (Salzburg, Austria: Pavillion im Zwerglgarten, 1997). [Deutsch]

Gideon Ofrat, “Flagship: Julie M. Gallery, 1975-1995," gallery book (Tel Aviv: Julie M. Gallery, 1996). [Englisch]

Paul Kaniel, “Dorit Feldman and the Cosmic Gordian Knot,” cat. Encoded Libraries (Graz, Austria: Galerie H.W. Lang, 1995). [Englisch]

Dalia Levin, "Dorit Feldman," cat. Ultima (The Forum of Art Museums in Israel, 1993), pp. 18-19. [Englisch]

Meir Ahronson, “Nature has Built Us a Museum: Artist. Curator. Art,” cat. 2nd Sculpture Biennale (Ein Hod, 1992). [Englisch]

Rachel Sukman, cat. The Spirit of the Time (Arad: Arad Museum, 1991). [Englisch]

Meir Ahronson, “Objective Three Dimensional” (Ramat Gan: The Museum of Israeli Art, 1989). [Englisch]

Gideon Ofrat, “The Creation after Dorit Feldman,” cat. Dorit Feldman (Herzliya Museum of Art, 1986). [Englisch]

Amnon Barzel, “Between the Phenomenon and its Visual Representation,” cat. Dorit Feldman (Herzliya Museum of Art, 1986). [Englisch]

Amnon Barzel, cat. Tel Hai ’83: Contemporary Art Meeting (Tel Hai, 1983). [Englisch]

Sara Breitberg-Semel  ,cat. "The Camera as a Pencil " ,Photography as an Art Medium (Omanut La'am, Israel, 1981). 

Weblinks:

Homepage Dorit Feldman

Dorit Feldman, Exhibition Opening Bulgarien 2017